Writer & TeacheR
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With Dedication: New Poems amid Pandemic

7/9/2020

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Cover for "With Dedication: New Poems." Click on the PDF (at right) to read.
withdedication_book__1_.pdf
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Congratulations to my now published poets(!), participants in the "With Dedication" poetry writing workshop that I taught online across 5 Mondays in May and June. Their collection is a testament to their collective will to write: through pandemic, through protest.

Here is the introduction I wrote for the book:

Dear Reader,
 
Participants in our “With Dedication” workshop met across five weeks to discuss and write poetry that would recognize, celebrate, and elevate significant people in their families, communities, and lineages.
 
We met in an online classroom since public spaces were closed due to the Covid-19 pandemic. At a time when social interaction was severely limited, we unmasked in front of our screens, and practiced praising our particular language—and each other.
 
Some of these poems took the form of dedication proposed by the workshop; others followed conduits that beckoned more urgently.
 
Shortly after our second meeting on May 25, Minneapolis police killed George Floyd. Video of the killing ignited protests across the nation and world.
 
Part of poetry’s power is that it can speak to readers of any time or place. Yet all poets write in specific times and places. It feels important to note the larger context of where and when these poems were crafted.
 
Langston Hughes’ “problem world” remains our world; the tools of reading, learning, and dreaming are yet how we “make our world anew.”
 
Our book opens with Ayoka Drake’s “Freedom” breaking the “rools” of spelling. Answering Hughes’ call to realize dreams “unfettered, free,” Drake demonstrates that poets must do the work of dismantling in order to find truth in new language. Each poet of “With Dedication” does this in their own way: making sense through the five senses, forging together a truly original collection.
 
The book closes with Abria Smith’s pair of “delicate copper leaf earrings,” an image that speaks of craft and achievement. Like the poetry herein, what was once “raw / Unimagined” has been “etched” into something tangible, beautiful, and enduring.
 
We hope that you enjoy reading, and that you find within, perhaps, seeds for your own language to grow from.


Each time I teach, I try to offer students the opportunity to make something--often a book--together. While the experience of the classroom or workshop is transient (and necessarily so), a book endures as a collective record and shared achievement. It is a community of pages. Here's a photo of some of the student, neighborhood, hospital, and workshop collections that I'm proud to have helped put together in recent years.
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Know thy self (Publishing)

3/18/2015

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Gabby Wallace sat at one of my tables back in 2010 when I was a server at a Latin American restaurant in Brookline Village. We got to talking about travel and language, and she bought a copy of Wonder/Wander. 

Today, Gabby is a language teacher and entrepreneur based in Tokyo. She recently interviewed me for her Laptop Language Teacher blog and we continued our conversation started back in Brookline years ago.

This is one of the pleasures of publishing: finding common ground and connection with people whom you might not otherwise meet, being part of a conversation that compels you and is bigger than you.

Self-publishing is not equal to being selected by an established publisher in many peoples' eyes, even as the line between them becomes increasingly thin. As a writer, it's worth considering: what will satisfaction look like when your writing is complete? 

During the creative stage, you control the quality of your writing, as well as the time and effort you put into the work. Self-publishing takes your control one step further, ensuring that your work is able to be read. Yes, I wanted the publisher's seal of approval for Wonder/Wander (I sent it as an unsolicited manuscript to Graywolf, Coffee House Press, and Milkweed Editions in 2009). But deeper than that, I wanted to share my experience and myself through what I had written. I wanted to make my book.

Publishing brought satisfaction in quiet, intimate ways: when I held my book in my hands for the first time; when I gave copies to my family and closest friends. And this: meeting like-spirits, like Gabby, who find the book and share their stories; who join me in the conversations, which illuminate our larger work.
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Throwback Thursday

12/11/2014

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Back in 2009, I promoted Wonder/Wander on local cable-access shows: "Tu Opinion Cuenta" (with William Pena), "The Callaloo Express" (with Lynnette Laveau Save), and "El Show de Fernandito" (with Fernando Bossa). Below is the interview from "El Show de Fernandito" (7min 15sec; English and Spanish).
Each appearance was fun and forced me to find the language--in both languages--for talking about the book, the journey, and the reasons for both. At that time, I was waiting tables at Orinoco Kitchen in Brookline Village where we had a small display of Wonder/Wander books for sale. I rarely pushed them, but customers would browse and from time-to-time someone came to dine who was from Venezuela or had traveled Central America or had a son interested in Spanish language or who just identified with the spirit of the work and they would buy a copy from me, their waiter. I enjoyed that serendipitous sales approach. I never expected Wonder/Wander to climb the sales charts or be thrust on people whom it didn't interest. Instead, I think books are as diverse as people, and we need to find the ones that resonate with and inside of us. Even as I use social media as a promotions tool, I believe that books find their readers and readers find their books through much subtler channels: the same ones that connect us to friends or lovers.
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Wonder/Wander Reading Recap

11/20/2014

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Video & Photos from Nov. 16th reading at Dot2Dot Cafe

Thanks to everyone who attended last Sunday's reading at Dot2Dot Cafe. We filled the place! Special thanks to Louis for his guitar accompaniment and Nathalie for the great photos. And to Dot2Dot Cafe and On the Dot Books for co-hosting.

I heard Eimear McBride read at Porter Square Books last month. Her award-winning book A Girl is a Half-Formed Thing (Incredible. Singular. I highly recommend.) received early rejections from publishers and sat in a drawer 9 years. At the reading, she was asked what it was like to promote a book she'd written so long ago. McBride said that when she writes, it's like being in love. "I'm not in love with Girl anymore," she said. "I'm in love with [the book I'm currently writing] … but I want to honor who I was when I wrote Girl."

When I published Wonder/Wander in 2009, I envisioned a performative reading of this sort. But I was newly returned to Boston and didn't have the confidence or community. Now, five years later, reading in Dorchester, the neighborhood I call home, among friends from so many parts of my life, and strangers who shared a piece of their Sunday, felt so good. It felt like honoring who I was when I lived and wrote Wonder/Wander.

So again, thank you.

If you missed the reading, please enjoy these photos and video excerpt. You can still order Wonder/Wander online here. Consider giving it as a gift this holiday season, and/or sharing your support for Wonder/Wander on social networks (if you own a copy, post a photo of W/W on your bookshelf. Tag me in the photo and then tag a few friends who you think would enjoy reading it). Finally, if you know other venues for live readings, please put me in touch--I'd love to do this again.

All good wishes,
Aaron
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